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He crept quietly through the settlement, little sign of life evident at this time of night. There was light coming from the area of the hall-house and he edged slowly towards that. As his eyes became more accustomed to the darkness he began to see there were signs that the camp was somewhat in disrepair, un-maintained was the word that sprang to his mind. He began worrying.When he was within fifty yards of the hall-house he could see the flag that was fluttering over it. It wasn't his own Norse-slayer banner, not the Saltire, not even Gabrain's Dalriada design, but something he couldn't quite believe. Flying proudly above the Inveraray hall-house was the device of Murdoch of Fife."Oh Murdoch, what have you done you treacherous bastard, you treacherous, treacherous bastard." Scott moaned quietly to himself.Scott crept beyond the hall-house and confirmed the gates of Inveraray were locked and guarded. His next stop was his house, but he could see no sign of his family being there. He. . ideas and images justweave themselves together as my libido and imagination does the thinkingfor me."Although Leach denies that his work has any unifying theme, one suchconnecting idea seems to be his work's insistence upon the unity of allthings. Rather than living in a world of distinct and disassociatedobjects wherein there are clear-cut divisions between the objective andthe subjective and among the many and varied categories of existence,Leach's art suggests that such dichotomies and classifications areartificial rather than actual or natural and that, therefore, if they aretaken literally, they are false and potentially hazardous. Human figuresinteract with plants and inanimate objects as well as one another. In AnEnd to Waiting, several transvestites wearing nothing but stockings arepenetrated per anum by the tendrils of a flowering vine. Similarly, inJyllinge Girl, a flower grows from the small of a back, just below a pairof legs wearing stockings; bent at the knees, the.
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